Edition XV                    

                               February 5, 2006


Hola Queridos Tangueros,

 I am still ecstatic about the great success we had with our 3rd Posada Milonga at the beautiful Granada Ballroom in San Antonio, TX on December 16,'05. The evening was magical and festive. The exhibition of the 4 couples was exquisite. George y Jairelbhi Furlong or Dallas, Martin y Natia Peleaz of Houston, Monica Caivano and Partha Roy of Austin and our own San Antonians Loreen Alvarez and Josue' Vasquez- Garcia.  And also, thanks to Chachis Ramon who guided us though the lovely ritual of the Christmas Posada. Thanks to all of you, it was possible to have OUR Posada Milonga and I say OUR, because without your help and support we would not have been such a success. A special thanks to all of you tangueros from Houston, Dallas, Austin ! During our New Year of 2006 we hope to improve our Posada Milonga to make it a better tango event for you. We have several events planned for 2006, I hope I can count on your help and support so that we may continue dancing tango and our tango community in San Antonio continues to grow. 

Monday the 30th of January was a lovely milonga at the beautiful Circa1900 Restaurant. We were  celebrating Roy Montejano and Fiacro Salazar's birthdays. 


     Norma, B. Fiacro, Nargie and Dell

Many colorful balloons  were hung with pretty ribbons all over the place and the ambiance became very, very festive. Of course we had two cakes. One a delicious chocolate and the other, Tres Leches, yum, yum. We sang the "Happy Birthday" song to both Roy and Fiacro and of course the famous "Las Mananitas"  to which Daniel Monserrat accompanied us. 


    Roy Montejano and Frank Christian

We also enjoyed a song from Frank, WOW what a voice! The evening  was a lot of fun and I believe both Roy and Fiacro enjoyed it tremendously.

We were fortunate to have Alberto and Valorie Paz visit us this same evening, Originally from Argentina, now they are  residents of New Orleans. Things have been pretty rough for them since Katrina.

 
              Norma and Alberto Paz.

They performed a tango exhibition, it was delightful. Valorie and Alberto are fabulous tango teachers and will be back in S. A.  March and October this year, watch for dates at www.satango.org/

Our trip to Buenos Aires, Argentina (CITA 2006) is approaching.  My friends Fiacro Salazar and Margie Valdes-Shick will be joining me on this most exciting adventure! We will meet many tango dancers whom we will invite to San Antonio. Thanks for attending my milongas at Circas on Mondays. I continue to see new faces of people who are interested in Tango. Oh yes, don't forget to come to Circa for the bon voyage party Monday the 20th of Feb. 

See you at a milonga soon, 

Norma
norma@lavidatango.com


Ask Maleva

The Tango Advice Column

Dear Maleva,

I think I need your advice.I read your advice to Desperate Tanguera.
I am planning a trip to Buenos Aires later this year for the first time. I have heard from couple of women who have been there to watch out for smooth talking, smooth dancing, Argentine men at milongas because they are only after money and sex from unsuspecting American and European women. Are there really such men lurking in milongas? And if true, how can I avoid them?
Should I go with a tango group tour which is kind of expensive to avoid getting into a sorry situation? I don't want to become another Desperate Tanguera, at the same time, I don't want to lose my money or taken advantage of. I can follow so-so but nowhere near Argentine tangueras, I'm sure. Can you help?
Unsuspecting Susie

Dear Unsuspecting Susie,

It's funny but many of the recent questions people have sent to me concern men, women and tango - it seems that tango relationships are much more difficult than actually dancing!

As for your question, would you sleep with or give money to men you did not know well here in the US? If not, then don't do it in Argentina either. Don't let the rules that apply in 'real life' suddenly slip because you are in the seductive world of the milongas or in a romantic foreign city.

Yes, it is true that there are smooth talking (Argentine) men in tango who are just out for money and sex. But my dear, those men are lurking everywhere, not just in the milongas! Go out to a bar in any city, in any country and you will meet any number of men who will try to sweet-talk you into bed without any intention of calling you again in the morning. You must deal with the rogues that you meet in tango the same way you deal with the players in 'real life' . Don't take them seriously unless you are just out for a good time too. Accept their dances - and their free drinks ;) - and leave it at that. Argentine men don't have special powers that will make you loose all rational thought and take off your clothes just because they ask you to.

In the milongas of Buenos Aires, as well as the milongas in other parts of the world you need to use your common sense. If you decide to have 'coffee' with someone after just meeting him, and maybe having a few well-connected tangos, then that is your choice (there is absolutely nothing wrong with it). But just realize that it will not turn into something more than what it is - a one night stand.

Also, you will have the power to say yes or no to men with or without other members of a group tour around you. There are many reasons for choosing to go with a group tour to Buenos Aires, but I don't think that 'protection from the lurking men' needs to be one of them (although that would be interesting claim for the brochure!) . If anything, being part of a group tour may just make you stand out more as a tourist and as someone who might be easily-wooed. Being with other people is not necessarily going to protect you from the advances of strangers. I did not go to Buenos Aires with a group, but I did go with a boyfriend, and I was asked out for coffee none-the-less. But if a man makes an advance and you decline him politely, he's going to leave it at that. Heck, Argentine men won't even come over to a lady's table to ask for a dance for fear of their rejection becoming public! Turn them down nicely and they are not going to make a big deal of it.

And of course, most of the men in the milongas in Argentina are not going to make passes at you anyhow. I think most of them are there simply because they love to dance. Either way, if you are concerned, why don't you just make a promise to yourself that - no matter what - you will not to get together with any strange man beyond the friendly level while you are there? Unless of course, he's really cute....


Ask Maleva is published courtesy of 
  www.close-embrace.com 


a   
note    
from   
the   
editor . . .

 

Dear Friends,

I received an email this week about a new tango calendar... Sounds like a valuable tool for those who travel and tango. It is called Tango World Wide and currently offers a world-wide tango calendar on the web. It  can be read and updated by anyone for FREE, by using a computer,  PDA or cell phone to find out from another dancer, where to dance tango anywhere in the world, plus view multimedia posted by dancers.... pictures, video, audio and maps. Postings of members of Tango World Wide who pay $2.95 per month or more are permanent. Free postings are only temporary. The calendar is a database of tango events for the world. Professionals can also use it to post their complete class schedules for every day of the week, hour by hour. Explore its benefits at  http://www.tangoworldwide.com

Have you've had a "tango moment" ? La Vida Tango is interested and would like to hear about it. A paragraph or two about went, where, what it meant to you and how often it occurs for you? Do they happen with regular partners or with  strangers? Does it depend on the caliber of dance, your mood or the moon? What do you think causes these phenomenon? Please email to me, publisher@lavidatango.com  with the words TANGO MOMENT in the subject line. Please include permission to publish it in the email.

Here are some happy tango faces wishing you a tango moment . . . I love this photo!


Valorie Paz, Judith Foster and Gwendolyn Diaz

Looking forward to seeing all our Houston friends at the Continental Club Feb. 12 for the VALENTINE'S MILONGA. Glovertango and Tosca String Quartet will be playing.

May you have many "tango moments" this Valentines Day . . . 

tu hermana tango. B

Hola Tanguero’s

In January our very own Daniel Monserrat orchestrated a soiree at Circa 1900 Bar and Restaurant recognizing individuals who have given freely of their time, effort and financial resources advancing, El Baila de Tango, in San Antonio. Their labors have not been overlooked. Optimistically, Tango in San Antonio will persevere due to these efforts.

The people recognized consisted of organizers, dance instructors, promoters, and of course the dancers. Lists of people mentioned are as follows:

Instructors- Angela Avila, Kathleen Robertson, Dr. Terry Bauch, Frank Huddleston, Loreen Alvarez. Jose Vasquez-Garcia, Aaron Bussey, Jose de Lara

Promoters and Organizers- Norma Valdez, Jose de Lara

Web Publication- B Clifford,publisher La Vida Tango E-zine

Dance Organizations- S.A. Tanguero’s and Puro Tango

Particular mention goes to Rogelio Trejo who can be counted in support of milongas and other responsibilities. Frank and Harriet Christian were chosen as the couple of the year for keeping alive the classic 2 by 4 rhythm of the dance.

           Norma Valdes and Frank Huddleston                                  Angela Avila and Gwendolyn Diaz


Jose Garcia and Josue' Vasquez-Garcia with Daniel Monserrat

Also in January San Antonio got a visit from a young dance instructor from New York named Carlos Yannacanedo. Mister Yannacanedo dance style was more hip than traditional but really fun to watch and for some of the ladies fun to dance with. We plan to have him back for a dance workshop possibly in late March or early April. Pictured here with Kathy Robertson a local San Antonio instructor.                                      >

<
January was busy with instructors from New Orleans too, Alberto and Valorie Paz, who gave a workshop while in San Antonio. We are looking forward to seeing them again also.

Now on the 31st we really celebrated! What did we celebrate at Circa? Well, it was my birthday, I got to spend another year making new friends and spending time with old ones. We  celebrated with song, wine, cake and of course some Tango dancing, what a great evening. How old am I? Hmmm . . . like a lot of other things . . . I forget.

All Photo's by R. Montejano   
Contact Roy via email ........... r.montejano@grandecom.net


Communication in 
Tango

 

By Elena Pankey

Tango is a relationship therapist! Tango was born at the end of 19th century in Buenos Aires and Montevideo from combinations of many dance elements from different cultures. At that time millions men from all over the world came to Argentina looking for work and new opportunities. They were strong, adventurous and courageous people; some of them were criminals escaping from justice in their homelands.
At the beginning Tango was a communication for people experiencing the lonely life of immigrants. It still is a way of silent dance communication.
Men (porteños) would work hard at the docks on the Rio de la Plata, save some money, and then go to a dance hall or brothel to buy some time or a dance with a woman. For some men at that time two minutes of a dance could cost a fortune. This dance was around a woman and for her. It was expensive, and it was a challenge. Competition between the men often led to fights. While dancing, they held their woman tight with the right arm, protecting her. The left arm was not important for the dance, men could drop it down and a woman never relied on it.
Since women danced with many different men without set patterns (like we have now) they were led by watching the chest of their partner. Women were looking over the man’s left shoulder giving him a signal if somebody was approaching from behind. This still is the etiquette of milonga!
All men were looking for consolation, comfort, and excitement; for a woman. There were not enough available women; some were pricey and spoiled. Men practiced with each other some moves from their national dances in order to improve their skills. For example, Europeans brought from fencing the most common movements in tango: “corte” and “parada.” These 2 positions every Tanguero still needs to recognize in many steps because they are crucial for authentic expression.
Only much later the dance took a specific form and became more elegant. Tango became more acceptable to the middle class, and men could take their own wives to dance on Wednesdays at a dance hall. At the beginning of this new dance, a little orchestra tried to accommodate, please and help people to move with the music. Two or three musicians should have been very skilled and fast to improvise, and their improvisation was dictated by what a dancer did with the legs. This is why tango music is changing all the time. It is a life story in sounds. Unfortunately, this first “Tango music” was not written down, but there might have been some masterpieces. Later the record companies brought some echoes from the original versions of that music to our days.
Tango never ends, nor does the process of learning it. It does not matter whether you are a teacher or an advanced dancer; you just go from one level to another. We think that our private lessons are the most effective approach to fast progress in Tango-life, because we use a very particular way of teaching communication. Also, we feel that some special people with fire in their hearts, with dreams in their eyes, with love for this life, will always learn tango faster.

Tango is like traveling: the more you know about it, the more it opens to you that you are at the beginning of your road. Moreover, dancing tango is like writing a book: nobody can hide his or her personality while doing it. When we read something, we see the vocabulary and usage of the words, the style and structure of the paragraphs. We see the author behind the description of the subject. The same happens in tango.
There are many different styles in tango, different teaching techniques. When a teacher has some good knowledge and clear understanding of Tango history, development and Tango techniques, such teacher would have very pleasant and clearly structured lessons. As some would say in ancient times,
with clear thinking comes clear teaching. Whatever we do in our lessons or shows is for the joy and pleasure of all. Sometimes, with apologies to Shakespeare, I would say, “Tango is life; life is a theater. Tango is a theater of your life.” We like to tell some jokes during the lessons and watch people laughing and enjoying themselves. This is the best reward for a good teacher.
Since tango is a relationship therapist, we like to teach couples with established communication, and help them to improve it. When couples are learning, practicing and dancing tango together they have a way to a better, longer, and more beautiful life! We would say to them: Tango is just a walk with LOVE in your heart. It means that a leader needs at all times during the dance to think about the comfort of his lady. But it is a two-sided coin: a lady needs to listen to the energy/ impulse that he sends (as a part of his lead) to her.
Tango is like making love: a man is never in a hurry! He leads, then waits for a woman to finish her move, and then he leads her to other things again. If people listen to each other during the dance, they will learn more about each other.
Ladies (even some who like to control) are looking for a confident man--a leader. They don’t like men who doubt, either in life or in tango. If the gentleman understands where he is going, if he is not confused with his own decisions, ladies would enjoy dancing with him.
A recent student, who began to learn to dance in Vienna in the forties wrote to me: “Elena, you are teaching with such joy and enthusiasm! It is a joy to be in your class. I am telling you that because I see also that you both are tremendous business people. I love your way of teaching that is why I come. Thank you”. People come to learn tango for many different reasons. Most of them are motivated by the incredible images from some tango movies, by the beauty of the music, or by an atmosphere of romance and nostalgia… We think that the passion for Tango is the hidden, unconscious desire for eternity. And once again, we are teaching some special people who feel the music, and deeply understand the powerful present moment of our life!
                                   
Until next time, Elena
Please visit  Elena Pankey online at WWW.TangoCaminito.com or contact at  EPankey@Juno.com


THE WOMEN OF EL TANGO IN USA
I'm very well aware of the leadership roll that women have played from the beginning of Tango in USA, unique roll that many of them continue to play today and they will be (I'm positive) playing tomorrow. To me, women in the USA have been more than instrumental to introducing and spreading authentic Argentine Tango all over this country and I want that fact to be public and recognized. So I' m now in the process of gathering information to write an article may be a book about "Las Minas del Tango en USA".("The Women of El Tango  in USA") If you, dear tanguera or anyone you know has made and/or is today doing something relevant for the Argentine Tango in the USA, please send all the information or history in tango to: orlandobudini@yahoo.com 

The rules are easy: 
a) Have been involved in tango for 5 years or over introducing, teaching, organizing, dancing, reporting or spreading Tango in USA.) 
b) Whatever they have done must have to have made a significant difference in the cultural asimilacion of the authentic original dance from Argentina in the USA. 
c) Suggested candidates must live permanently in USA and be known and recognized.
All information will be confidential until its publication. References about myself can be found in www.metatango.com or www.lavidatango.com

Muchas Gracias, Orlando  Budini
Contact Orlando Budini at orlandobudini@yahoo.com 
Visit his web site http://metatango.com/index.html


Valentine for Tango

We are thankful that tango has come into our lives. Tango is a great unifying force. People of diverse backgrounds, beliefs, professions and cultures come together to do tango and to share the one thing that we all as human beings have in common: LOVE. A few years ago Teo was very sick for a while. One thing about being sick surprised him. "I noticed that all of my concerns about differences of opinion immediately disappeared. When my life was in jeopardy, it was clear to me that all that really mattered was the love of family and friends." 

Tango, danced from the heart has the quality of unifying us all. When we are dancing from the heart we don't really care what somebody does for a living, or what kind of car they drive, the color of their skin or what beliefs they hold. Those petty differences fade in the radiance of the loving human being that you are embracing. At the core, we are the same, we ARE this radiance! 

The tango community is a big loving family. In this family, everyone has their own quirks and personalities. We accept that there are differences. But love transcends all and makes these differences insignificant. So let us all embrace and merge in a heartfelt tango together!  

Teo and Marsha

Visit or Contact Teo and Marsha at Tango From The Heart: http://www.gainesvilletango.org


Buy Posters at AllPosters.com

©
LaVidaTango2004
Revised  February 18, 2006