Edition XVI                   

                               March 5, 2006


Hola Queridos Tangueros,

On Monday, February 20th at Circa it was “my turn” to blow the many little candles on my beautiful, delicious birthday cake. I made a wish, which I cannot divulge, until it has become a reality!
 I spent that evening surrounded by many of my dear tanguero friends. Thank you all very much for all the nice gifts I received. And lots of kisses to Juan & Fiacro for the beautiful “Serenata” they gave me with their guitars. They are both very talented and sing very nice. Juan sang several of my favorite songs and Fiacro sang “Los Ejes de mi Careta” and Amapola Blanca and many more. I am very fortunate to have so many friends – I love you all “un chingo” as we delicately say it in Coahuila! When you love with all your heart and soul, you say: “I love you all “un chingo”! 

         Norma's Birthday celebration

We finished our evening celebrating our pending trip to B.A., dancing tango and toasting with some great wine, everyone wishing us a Happy Trip to Argentina!. Yes my dear friends, I will be taking my bottle of Tequila to toast with the Argentines. Yes, o
ur trip to Buenos Aires is fast approaching with the pleasant news that our dear friend Georgina Earnhardt will also accompany us on this fabulous trip! I have dream ed of being there, my dreams are coming to reality. We will meet with Sr. Orlando Budini in B.A. I have not had the pleasure of meeting him before, but as soon as we arrive in B.A., we shall contact him.


Check out the tie . . .

For a Valentines treat a group consisting of B, Roy and a friend from Austin, Kay and myself, went to Houston to a milonga. Glover with Tosca was playing, they play tangos divinely! The event was held at the Continental Bar, an “arrabalero place”. We applauded Glover’s arrangements of the music with much enthusiasm, what 
 
               Glover Gill and B . . .
 tremendous talent.
You could feel the “love for the tango” in the air, the people were very happy.  I went to this Milonga with   I will never forget this Milonga, thank you very much to my traveling friends. I was also pleasantly surprised to see San Antonio friends Pauline and David there, wow! 
I shall see you again upon my return from Buenos Aires. I will tell you every little detail of our month long adventure at that time. Continue attending Circa and dancing tango to the beautiful music of Sr. Daniel Monserrat  also, taking tango lessons with our dear tanguero friend, Manuel Lobo! 
Los quiero mucho y NO los olvidare! Hasta muy pronto!

Ask Maleva

The Tango Advice Column

Dear Maleva,

I am fairly new to tango, but want to perform. There is a girl who is interested in being my partner, and she is a good dancer, my only concern is our height difference. I am 6' tall and she is 5'3". Do you think I should dance with her?
Thanks,
A Head Above


Dear Head Above,

Usually in dance partnerships, the man is only slightly taller than the woman. Mainly because it is harder to connect properly with someone whose center is much lower than your own, and also because aesthetically it looks better when the couple is in good proportion to each other. Of course, this doesn't necessarily you should immediately rule your friend out.
A couple questions you should ask yourself:
Most importantly, are you comfortable leading her? I myself am 5'3" and I know certain leaders who are over 6' tall who are expert at leading the littler ladies and who feel absolutely wonderful. However, these leaders have all had many years of experience and dancing with someone much smaller than yourself is a skill that does take some time to develop. In the end, what matters most is that you feel good together.
Visually, will you contrast each other in other ways? i.e. if you are big around the middle as well as tall, and she is skinny as well as short, then I am afraid to say, she may make you look fairly monstrous!

Can she dance well in 3 1/2" heels???

If you do dance with her, make sure that neither of you breaks one of the cardinal rules of tango, which is: Be Yourself. You must be certain you are not bending over, stooping down, or distorting your posture in other ways to become her height. And, your partner must be true to her own height as well and not dance on her toes to reach up to you, sacrificing her balance and groundedness.

Ask Maleva is published courtesy of 
  www.close-embrace.com 


a   
note    
from   
the   
editor . . .
A fundraising event benefiting the future "Austin Tango Corner" was held in Austin this February. With guest teachers and performers from Dallas Jairelbhi and George Furlong. A silent auction of services and merchandise plus a sale of “El Angel del Tango” colored ceramic tiles. The tiles can still be purchased by contacting Monica Cavano. Each tile will be glazed with the name of the sponsor and strategically placed in the studio!  Looking forward to the Grand Opening of the new studio. 
I am still wanting to hear about your "tango moments". You know those special times that stand out in your tango experience. A paragraph or two about when, where, what it meant to you and how often it occurs for you? Do this experience happen with regular partners or with  strangers? Does it depend on the caliber of dance, your mood or the moon? What do you think causes these phenomenon? Please email to me, publisher@lavidatango.com  with the words TANGO MOMENT in the subject line. Please include permission to publish it in the email.
Enjoy life and the dance, 
                       tu hermana tango


    
88 years of talent
By Enrique Snider
a special for Let'sTanGO!

He usually turns to glance at the audience while he's conducting, strengthening the powerful and invisible bond that connects him with the people. A link that maestro Emilio Balcarce generates every time he is conducting the Orquesta Escuela de Tango (Tango School Orchestra), with an admirable dedication to work and a constant worry about quality. With his frank look, warm words, and friendly manners, the maestro shows his talents and ability to conduct the orchestra, playing the solo bandoneon and making arrangements on his own compositions.
Backstage, his pupils at the Orquesta Escuela, who are more than 50-year younger, admire him, respect him and follow the path of affection that Don Emilio marked during his 88 years of life he's about to celebrate next February 22.
The first instrument he played was the mandolin from his birth-home. Soon, he played the violin, which characterized a great part of his career. In the last years, he took the bandoneon between his hands and, due to his talent; those who don't know about his past with the violin might think there were no other instrument before. He assumed the conduction of the Orquesta Escuela in 2000, with enthusiasm and worried about the challenge it meant. But the enthusiasm was stronger: he made several arrangements for the band and dedicated a theme to the orchestra: A la Orquesta Escuela. It's difficult to think about the Orquesta Escuela without the advice, the indications, and the right words given by this fellow citizen from Villa Urquiza, who has been declare illustrious citizen of his neighborhood and the city of Buenos Aires.
La Transa, Bien Compadre, De Contrapunto, La Bordona, maybe his most popular themes, are precious pearls in the repertory of the orchestra he conducts. And Mal de Amores, by Pedro Laurenz, is performed nowadays with an arrangement made by Balcace for the orchestra. Each performance is followed by a faithful audience, a gang that looks for that accomplice gesture, a link beyond sounds, a relationship that continues in the applauses and the acclamations.

Visit Let'sTanGO! for more information about porteños’ culture, including tours, sites of interest, restaurants, museums, milongas and tango shows in Buenos Aires. Enjoy it ! click here!

    "MEXICO LINDO...  

          Y TANGUERO"

By Orlando  Budini

No matter if it rains, if it's cold or hot or if it's summer or winter, windy or stormy; there goes Gonzalo, a young attorney seduced by El Tango, with a couple of big speakers on his shoulders. "Tango has changed my entire life and is an important part of who I am" he said while moving cables and CD’s preparing the equipment for "La Milonga del Parque Mexico". This rendezvous with el Tango is held every Sunday in a beautiful park at the heart of Colonia Condesa one of the nicest neighborhoods in Distrito Federal, Mexico.
From ancient times parks were public places for everyone to enjoy, to meet friends, discuss general problems or celebrate. They were also a place to present theater plays, listen to a military band or orchestra and any other cultural or popular manifestation to entertain, to inform and to bring people together. Mexico City, always open to the arts and different cultures, could not escape the fascinating culture of "El Tango" bringing all tangueros together at this park.
I got to the park a little bit late and a little bit tired too (I must confess) after 4 hours of the seminar "El Arte del Traspie" as organizers entitled the work-shop, to which I was invited to teach in Mexico City. Even though the amount of student attending was well over the limit, and I was real busy, I had a wonderful time in Casa Cultural "Juan Romero Flores" located in the same neighborhood and close to the park. The "Traspie" is a fast paced tango or milonga and the foot work is intensive but the students were more than cooperative and enthusiastic. They really loved what they were doing and even when the level of dance of the girls and guys was very good they seemed to be determined to make it better.

         
"La milonga del Parque Mexico"        Photo courtesy Maja Wallengren        

When I finally got there, after a short stop at a cafe for a good cappuccino that Carlos (seminar photographer, student and my personal driver) invited me to and of course, I could not refuse. Tango fans and volunteers at the park were cleaning up the floor to make it smooth and easy for all the dancers waiting for the music to start. Maja Wallengren, an international free lance journalist based in Mexico who is also an excellent dancer and the founder-president of "Tango Association of Mexico", welcomed me with a sweet smile on her face. Maja, as well as Gonzalo before, was seduced by el Tango... and by Gonzalo! Now both of them share their lives and destiny with the same love and dedication as they share their Tango. She was wearing an impressive and "bien tanguero" tango-dress and was of course, ready to start "La Milonga del Parque" This milonga was started in the spring of 2001 by a group of friends reunited under the Tango Association and it was called (of course) "The friends milonga". Is held every Sunday, will not be postponed because of the bad weather and the masters will lead the way every week to invite all the Mexican Tangueros from Distrito Federal that love Tango to dance and to have a good time in the park. People dance if they know how and they try it if they do not or watching the dancer's "ochos" and "cortadas" with a great deal of envy in their eyes asking themselves why they did not learn to dance like this before. Neighbors living in all the apartments surrounding the park get out on their balconies to listen to the music and to applaud the expertise of the couples, couples that dance tango as well as any Mexican dance ... or even better!
I danced with Maja after the presentations as an introduction to start the milonga while Gonzalo was DJ’ing the party, after the applauses, nice diplomas and congratulations were given to the students attending the Seminar, there were also speeches of course, everybody was happy, more applauses... after that a couple of Tangueros Mexicanos made me sentimental (I don‘t usually get that way easily) when they presented me, as the teacher of the seminar, a nice certificate too! Many of my old friends were there enjoying the evening. I was surprised when I saw Sylvia seated at one of the park bank-sides, Sylvia is a friend and a wonderful tanguera. I had not seen her since I was at the milongas of “Club Espanol" in Buenos Aires. At hers side, another tango lover, Nailea Norwing, a movie star, international model and an old friend said hello to me with a kiss and introduced me her lovely daughter. I missed of course Jesus Bernal from Guadalajara, who I forgive, as his wife Isabel is busy bring a "little tanguero" to this world. I also missed my old milonguero friend Paco Romero or "Paco el milonguero" as everyone calls him. He did leave me, one of his tango reflections: "To dance Tango is my passion".... "because Tango makes me feel higher, makes feel stronger and makes me feel full of hope and life!" 
Once again on this visit to Mexico City in my way of sharing my Tango with others, Tango had shared with me its friends and admirers, reminding me one more time the real meaning of friendship, that incredible strong invisible friendship that an old and simple music called TANGO is able to generate among all of those that dance it and love it!
There are only three places in the world that I know of with "outdoor milongas" or milongas danced in an big open space like a park. One is in Paris, the Quais of Seine at Square Tino Rossi, the other one is in Buenos Aires, Plaza Dorrego and Palermo and the third one is in Mexico City... So if you happen to be in Mexico City on a Sunday... No matter if it rains, if it's cold or hot Maja and Gonzalo will be waiting for you at "The friends milonga" or "La milonga de Parque Mexico. 
                                      "
Hasta el proximo Tango ! . . .  Orlando  
P S. . .
I' m now in the process of gathering information to write an article may be a book about "Las Minas del Tango en USA".("The Women of El Tango  in USA") If you or anyone you know has made and/or is today doing something relevant for Argentine Tango in the USA, please send all the information or history in tango to: orlandobudini@yahoo.com 
The rules are easy: 
a) Have been involved in tango for 5 years or over introducing, teaching, organizing, dancing, reporting or spreading Tango in USA.) 
b) Whatever they have done must have to have made a significant difference in the cultural asimilacion of the authentic original dance from Argentina in the USA. 
c) Suggested candidates must live permanently in USA and be known and recognized.
All information will be confidential until its publication. References about myself can be found in www.metatango.com or www.lavidatango.com

Contact Orlando Budini at orlandobudini@yahoo.com 
Visit his web site http://metatango.com/index.html


Hola Tangueros,

What a treat, Glover Gill and Tosca! Tosca, the name of a musical group who I had often been told of but never actually heard a single note of their music. Often heard other people mention Tosca in a legendary way it always made me wonder did they even exit or is this just another tango myth? It was rumored they did some sound track work in a big Hollywood movie. 
Boy the rumors legends are made of…..BUT GUESS WHAT? There is such a group they played in Houston, Texas the weekend of February 12  for a Valentines Milonga at the Continental Club and they created music, such dance inspiring music. The kind of music that makes grown men cry, when no one is looking, the kind that make women swoon, music that alters your breathing, causes your heart to race, your pupils to dilate. The kind that says this is my addiction, that kind that make people throw out all their sense of responsibility as they move to the music that permeates the entire hall. 

Dancers hold each other just a little closer, just a little tighter, and just a little longer and they linger in each others arms for a few seconds more after the last note struck has dissipated. Have to go now I have something in my eye.
Asta Luego,

 
All Photo's by
 R. Montejano   
Contact Roy via email ........... r.montejano@grandecom.net


a tango moment . . .
“Duval at the Ideal”
by Gwendolyn Diaz


Note the interior of the salon . . .
Buenos Aires is a magical place. One night last summer, I took a girlfriend who was visiting from the U.S. to the Confiteria Ideal, a salon where you can dance tango almost any time and any day of the week. She wanted to see how the ‘real’ people danced, rather than the acrobatic performers of the big shows. When we arrived, I noticed an unusual hustle and bustle. There were a lot of people there; the waitress were not the usual older men, but rather young girls dressed in black and white. There were tall blonde Americans hanging around the edges of the dance floor with professional cameras and lights, not at all the usual patrons.

We sat at a table near the entrance as couples began to crowd the floor dancing a tango by Pugliese. All of a sudden, the camera men rushed passed us toward the entrance and then began to walk backwards aiming the cameras toward the stairway that led to the entrance. As they made way for the incoming group, I saw Robert Duval stroll in, with his beautiful Argentine partner behind him and a cadre of tango dancers, like Garafolo and others with Italian faces that I have seen in the movies. Duval was wearing tan slacks and an ivory sweater. They sat at a table next to the dance floor and that was that. No announcement, no big deal. Everyone knew he was there, but did not make an issue of it. The porteño is proud and would rather not acknowledge being impressed. Then Duval got up to dance.


Gwendolyn and tanguero having fun . . .

There were other couples on the floor and an old tanguero asked me to dance with him and kept steering me toward Duvall who was on the floor with his partner. By then we had found out that the cameras were there because 60 Minutes was taping a segment on Duvall and his passion for the tango. The highlight of the evening was when Duval asked a little school girl, perhaps his partner’s niece? to dance with him. It was an endearing scene, the imposing older movie star carefully leading the little schoolgirl into ochos she could barely manage because of the size difference. But even then, the regular milongueros kept on dancing as if they were just one more couple finding bliss at the rhythm of the dos por cuatro.
Another personality was there that night, Charlie Rose of PBS. As I left the salon later that night, I asked Rose what he thought of the tango and he responded: “I only wish I had two lives to live, one here and one back in the U. S.” That, in a nut shell, is how I feel. One woman split between to lives, one north and another south. What keeps me whole are my husband and daughter. Both now are tango aficionados. So perhaps I can bring back some of the Buenos Aires magic to my life here in San Antonio.
                                                                           Gwendolyn Díaz             


©
LaVidaTango2004
Revised  March 26, 2006