
I am so pleased to
welcome a new reporter to our staff,
Robert Osbourne. We will be getting updates on
what is happening around Paris in the tango
community from him. Email Robert and welcome him
to LVT. I'm sure he will be happy to let you
know where to find a tango when you are in his
area. |
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My
dear Tanguero Friends,
I have not
been able to write much
about anything lately, as I
have not been able to attend the
various tango related events. I
just came back from a trip to New
York. I went with my sister Yolanda
and several friends from California.
Unfortunately, this was not
a tango related trip. We got together
because we had not seen each
other for quite some time. But,
I was fortunate enough to meet
a handsome, young man who
is a teacher of Tango Argentino.
His name is Jak Karako, he
teaches tango classes and then they
enjoy a milonga at a very nice
restaurant in New York City located
at 735 10th Ave., at the corner
of 50th. His website is www.bailandotango.com.
He has a trip planned to Istanbul, Turkey from
July 28 through Aug.6th.
The cost for this trip is $1300.00
and it includes 12 tango classes
and 8 milongas and also includes
hotel and meals. What do you
think tanguero friends, do we join
Jak on this trip? The airline tickets
is separate, of course. If
we are not able to make it this July,
although I am thinking seriously
about it, perhaps we could make
it next year when he has another
trip planned, but this one will
be a combination of Greece and
Istanbul. I will keep you posted as
I intend to stay in touch with
Jak. Because of
business, I will be away from San Antonio during
the next 3 weeks, I
ask you to please attend Circa
on Mondays during my absence,
let's keep that place alive, your support is
needed. Don't
forget that Color Tango will be in
Dallas on Aug 4th and 5th. For
more info on this matter, check http://www.tangodallas.org/
Miss you all and
see you soon!
Norma
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Dear
Maleva,
I have a question that perhaps many of us face
as we try to progress in the long, winding road
of tango journey. I have been taking tango
lessons from numerous instructors -- some good,
some not so good -- and finally reached the
point where I can handle the basic technique and
steps at a typical milonga. At least my partners
do not have that strange or 'Thank God it's
over' look at the end of a tanda. I dance
primarily close embrace.
My question is where do I go from here without
paying exorbitant (at least I think so compared
to what I can get in Buenos Aires) private
lesson fees, going to tango festivals --
expensive and time consuming, and traveling
workshops which are far and few in between ? Of
course, milongas are good places to hone in on
one's tango skill. However, I can't stop in the
middle of a dance and analyze what I did wrong
or right. After all, I am there to enjoy, not to
analyze my posture, axis or steps. My primary
concern at milonga is to connect to my partner.Most
group classes are designed for increasing the
complexity of steps rather than refining what I
already know. When I ask to refine my tango
skills, the usual response I receive is 'take
private lessons. Practicas
are hit and miss situation as I have to dance
with someone who is at the same level or better
so that she can point out what makes her
comfortable or not. Also, I do not wish to a
regular partner as both of us get used to our
own idiosyncrasies. I
guess what I am asking is how can I get to the
next level of tango proficiency without
refinancing my home or emptying my 401K?
Thank
you,
Not ready for the Poor House Tango Student
Dear Poor House,
I
know it's tough, but any hobby that really grabs
you always winds up also costing you lots of
dough. Yes, you can and should practice on your
own, but frankly if you want to get really good
you are also going to have to pay. The value of
gaining a skill in your life far outweighs the
cost, in my opinion. Going
to festivals, taking classes with visiting
instructors, making the pilgrimage to BsAs are
things that all the top dancers have had to do.
Even if you live in BsAs and have easy access to
good milongas and teachers, it still can be
expensive. (And let's not even think about how
much you'll wind up shelling out for shoes and
clothes, especially if your a woman! Even just
entrance fees to milongas every week will add up
to a huge sum over time.) A
good tango teacher will stress technique in
their classes. They will arrive at the step they
are teaching through explanation of the
technique. If that's not the case with the
teachers you are learning from, then it's time
to hit the road and go to the festivals. Mostly,
I think you should rethink your stance on
festivals. There are so many festivals now that
are targeted toward social dancing rather than
step-collecting, with top teachers and hours
upon hours of milongas as well as practicas.
Attending a festival and dancing non-stop for
3-4 days with lots of other good dancers is one
of the fastest ways to grow as a dancer. Often,
becoming good just boils down to the number of
miles you've put in on the dance floor. The
prices are actually quite reasonable and with so
many of festivals now you can probably find one
within driving distance. Finally,
finding a partner to practice and take private
lessons with is a great idea. It keeps the cost
of your classes down because you can split them.
This doesn't mean that you have to just dance
with your partner at the milongas or practice
every day -- it just means that you'll get
together and practice different things when you
have free time. The word 'partner' doesn't mean
a huge commitment, a partner is just a friend
who you like dancing with and wants to get
better too. It doesn't have to be exclusive; you
can practice with lots of people. Usually people
help each other iron out their mistakes rather
than get used to each other's idiosyncrasies. Good
luck on your journey and don't bother adding up
the cost, it will just make you cry! |
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With fire and tango
!
The show melts away when Mirian Larici and Hugo Patyn leave the audience puffy, in Principio de Amor. Or it is the moment when you join the last strength for the prolonged applause.
Tango & Fire, Historias de amor, which will be on stage Tuesdays and Wednesdays, at the Teatro de la Comedia, is a conjunction of noble elements, solidified in the scenario. The structure of the show proposes a journey, in which love, passion, deceit, life and death intertwine their main characters' destiny; they experience these transformations from the deep existential questions housed in our music and Buenos Aires dance.
Perhaps, the sense of Larica and Patyn's creation is left aside immediately when an instantaneous bond between the audience and the artists is born, when the instrumental theme Potpurrí, maestro Mario Araolaza prints with temperament through the piano the passion (fire) that will take place at every scene, highlighted in Introducción al fuego; Tres Milongas; Más allá de la muerte and, already in the second part, Locura de amor.
Each composition by maestro Lisandro Adrover, interpreted viscerally by the Adrover Tango Quinteto (to such an extent that moves to see how the conductor's glasses fly when he shakes his head with musical frenzy), is the introduction for the display of talent of three dancing couples composed by Miriam Larici and Hugo Patyn; Paola Jean Jean and Nicolás Cobos, and Natalia Patyn and Jorge Tagliaferro.
Neither milongas dance, neither extravagant dance. Dance with the Larici and Patyn stamp, a trade mark sustained by an impeccable career in time and at international presentations.
And that mark is also transferred to every detail; as the costume, for instance, made to highlight each moment, to sustain each one of the parts of the show, without appealing to parameters merely of manners and exhausting. This is demonstrated in the milonga Del 2000, when Jean Jean and Cobos seem to be impressive puppets; or in Heavy, where the whole company is overwhelming, and the music is convincing, determinant, tough, opposed to the sensitive and intimate (from the name) Preludio a mi Viejo (Prelude to my old man), where the quintet brightens, maestro Adrover shows that tango has overstepped with emotion the creative parameters known up to the present.
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Visit
Let'sTanGO! for more information about porteños’
culture, including tours, sites of interest,
restaurants, museums, milongas and tango shows
in Buenos Aires. Enjoy it ! click here!
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reporting
from Buenos Aires . . .
"IV
CAMPEONATO METROPOLITANO DE TANGO"
The
beginning of "The World's Tango
Championship 2006 |
Buenos
Aires is showing signs of
"Championship" again, the rain and the
very cold nights of this brand new winter are
not enough to stop or postpone what we are very
proud and very good for ..TANGO!. When you are
used to seeing the same local dancers all the
time at our milongas you are able to recognize
their particular style of dancing, noticing at once when some new
faces or foreign styles start coming
in... and that my dear milongueros is
beginning to happen now in Buenos Aires: The
"IV Metropolitan Championship of Tango and
Milonga" has started and even though
these are "classifying rounds" or
local competitions, they also are the first
stage that will lead to us and tangueros
from all over the world all the way up to the
"World’s Tango Championship 2006" to
take place in August of this year here in the
Tango's Capital.
In order to have a first hand
insight and a closer opinion, I decided to
assign
myself to one of those classifying milongas.
This was not too hard for me and it was
not really a sacrifice to make it
happen, so without even planning, I found
myself on the way
to one of the best and one of my favorites
milongas in Buenos Aires.
Just the fact of being
in front of that small piece of art
and beautiful building, one of the oldest
and most well preserved of this city, makes
you unable to believe or
understand this actual world of ugly
skyscrapers made only out of glass and iron, in
which construction, the greatest and most
sophisticated piece of art you are able
to find is just that ... a
plain
piece of glass and a cold piece of iron!
. The
front of this building with its elaborated and
artistic balconies and mansards has
been constructed out of pure imported
marble and its beautiful red carpet
entrance and stairs flanked by 2 wonderful
belle époque statues, also in marble, take you
to the first floor. The
dancing space is a
very spacious wooden floor and its artistic
ceilings made with the splendor,
art and luxury of earlier times that invite you to
look up over and over like a fool !
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Milonga
competition at "El Club Espanol" |
This is la milonga of "El
Club Espanol" o la milonga "Chique"
like its father organizer, my
respected and recognized tanguero friend
Julio called to tell me
one of the main classifying rounds of the
"Metropolitan Tango Championship" of
the City of Buenos Aires will take place there tonight. The music of the
event, according to the rules, will be chosen by
the organizers to encourage improvisation and
the 15 participating couples will
be competing to represent this milonga, the
milonga "Chique" of Club Espanol at
the semifinals in "La Viruta" another
famous milonga. Should they win,
this will qualify them for the finals in "La Rural"
of Palermo in August when the "World's
Tango Championship" start officially.
"Julio, I asked the organizer, what does
this represent for you, after so many
years of work "at the milongas of
"Buenos Aires. Being chosen by
the City to be one of "the 40 places where
the classifying rounds of the "Metropolitano
de Tango" will be "taking place?.
"Well, Orlando, he said, of course, for me and for my staff here in Club Espanol,
it is a privilege and a real opportunity to be
able to select a couple that will represent us at
the "semifinals. I'm sure that who ever
is selected will hold our "colors"
with
their best dancing".
To explain this
a little bit better to all of you dear readers
let me tell you, with the sounds of Anibal
Troilo playing "Danzarin" as
my very emblematic background and while the 15
dance couples start this
important competition, the
"World's Tango Championship" is
divided in three instances: 1) Classification
rounds, 2) Semifinals and 3) Finals. The
first instance or classification rounds are
held for a full month from May 4 to June 4 in
forty different milongas of the City of
Buenos Aires (I know, in Buenos Aires there are
"a couple" of more milongas than in
Dallas, Houston, Austin or San Antonio to
choose from when you want to dance): El Arranque,
Gricel, Lo de Celia, A puro Tango, El Abrazo (Confiteria
La Ideal), La Baldosa, El Cachafaz, La
Argentina, El Pial, Chique (Club Espanol), El
Zaguan, El Esquinazo, etc, etc. This Classifying
rounds are also held in some provinces like
Mendoza or Santa Fe. The prizes awarded by the
City are really attractive, pay
attention: In category "Tango
Salon" the winning couple will be awarded $
3.000 (Argentinean pesos) plus garments and they
will be representing the City of Buenos Aires at
the "!V Tango Dance World
Championship" finals to be
held between August 18 to 27, 2006. The
second and third places will also be awarded
garments. In the "Milonga" new
category (this is the first year of this
category) the winners will receive $ 2.000
(Argentinean pesos) and garments. Not bad, not
bad at all if you think that this is an
International event and will also involve
contracts, representation, festivals,
advertising, etc.
At this very moment Osvaldo
Pugliese is playing "Gallo Ciego",
classifying rounds are over, the Jury composed
by Jorge Firpo, El Pirata, Gachi Ferrari and
Jorge Borques just finished their hard work of
selection and the milonga "Chique" has
a brand new couple of real tangueros to
represent them at the next stage of this
competition. At my side, smiling like 2
tangueros in their first milonga with their
first pair of tango shoes, here are .... the
winners!
Faustin Artaza and Angelica Largheri !
| "Faustin,
I asked, How "did you feel about of
being the winner, out of 15 very good
"couples in this
competition to represent "Club Espanol"
at the semyfinals? "Well
Orlando, you know as a good
tanguero the feeling of being selected in a
competition like this, Myself and my
partner are very happy and proud to be able to represent this loved milonga
at this years Championship. We will do our best to
deserve this selection". Faustin, a
regular dancer every Thursday at Club Espanol
and Angelica will compete among 34 more couples
who will be representing the other main
milongas of the city. |

Faustin
Artaza y Angelica Largheri the winners of classifying
rounds at "Chique" of "Club
Espanol" |
This year all portenos
milongueros have the chance to compete not only
in tango but also in the new category of
milonga. To register they
can go to the milonga of their choice one hour
before the planned schedule, it does not
matter if they are amateurs or
professionals, both may register and compete.
The only requirements are contestants must be 18
years old or over and that one of the pair must live or had been born in the
city
of Buenos Aires. Semifinals will take place in
nuevo salon "La Argentina", 1750
Bartolome Miotre, in June 11, 14, 18 and 21 at
8pm. The finals will take place onAugust 17
at Predio Ferial of Buenos Aires "La
Rural", 4201 Santa Fe Av., Buenos Aires,
Argentina. The last sounds of
"Gallo Ciego" make my
senses remember the deep beauty of this
music and how good is to be able to be here
surrounded by the scent and the
flavor of tangueras, tangueros and...
TANGOS!.
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So, if you
happen to be in Buenos Aires
like me, it does not matter if you are professional or
amateur in tango and you are 18 or
older, find an Argentinean partner,
register at your favorite milonga to get
the unforgettable experience of a
real Tango competition at the Tango's World
Capital !
You may also get some cash money
for your trip!
Promotional display of
the classifying rounds at "Confiteria La
Ideal" |
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Hola
Tanguero’s
| Sorry to have missed all of you last month
but I was pretty busy, I went to California for
my only son’s graduation from college (thank
God for that!).
Anyway, here in San Antonio we were
fortunate to have Brooke Burdett here
for a workshop. Brooke started her tour in Austin
giving private lessons which I heard
sold out quickly, then she came down to
San Antonio. Her style of teaching is a
bit different from other instructors I
have taken classes from. Brooke has a no
nonsense style of teaching, she is
clear and concise. Brooke stresses the
fundamentals and also shows steps that
are practical on the tango floor. I look
forward to her visit next year.
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Sharing
a dance at Circa 1900 Monday
night, Brooke
Burdett y Frank Huddleston
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Lydia Yznaga y
Christopher
Gamez |
The Silent
Partners art group which was
founded by Christopher Gamez, Lydia Yznaga, and
Alecia Eagerton for the purpose of promoting the
arts in San Antonio recently hosted a milonga at
the Medusa Art Lounge in beautiful downtown San
Antonio. The evening started with free dance
instruction in basic tango moves. Then an open
dance was held with music DJ’ed by Frank
Huddleston. It was an enchanting evening for all
that participated in the event. I can’t wait
for the next event the Silent Partnes art group
puts together.
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In closing we anxiously await the return of
Carlos Yannacanedo that talented free spirited tango
dancer from New York City who is scheduled to
give a workshop here in San Antonio at the end
of July.
Keep
dancing... |

Alecia Eagerton y Sheri Noland enjoy
conversation during milonga at Medusa's
Wednesday evening.
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Tango On The Banks of The
Seine
Le Tango Argentine!
Its sensuality and its rhythm are irresistible. In Paris,
we gather to dance to the tango's scorching beat, on the
banks of the Seine under the stars, in a setting
resembling a Greek temple. The dance floor ends at the
river's edge. There is no guardrail. But who cares! The
Tango is a dance of love, conquest, jealousy, agony and
ecstasy. Why should we who dance it fear a six-foot drop
into the Seine?
| As we dance, the
final rays of the sun turn the river blood red. A
yellow tango moon rises above the gargoyles
perched high on the bell towers of Notre Dame.
Across the river, bedroom lamps on the Rive Droite
blink on. A Bateau Mouche, brightly lit, sounds
its throaty note as it prowls the river. |
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Under the bridges of the Seine, the yellow lights of
the tourist boat probe the dark passages of romantic
hideaways, intruding upon the amorous adventures of lovers
who feel the Tango's forbidden rhythm as it drifts along
the riverbank. Like a beacon, it guides the boat of
curious tourists up-river and under the bridges of l'Isle
Saint Louis, leading them to where we dance on the banks
of The Seine. Laughing gaily, passengers line the deck and
applaud the dancers on the quay below.
On the quay, the women's black shoes, armed with
stiletto heels, stealthily climb the legs of men, whose
black hats ride low, over eyes lost in shadow. The dancers
surrender to the forbidden beat and glide across the floor
in close embrace. The women's eyes are closed, and their
blood red lips are curved sweetly upwards in La Gioconda
smiles, as the men, with slow hands on silken thighs, gaze
with half-closed eyes into infinity. The world disappears
and conscious thought fades as in a dream.
A soft breeze carrying a hidden kiss drifts by my neck.
The hypnotic cords of a Tango Vals beat across the floor
and against my blood, calling to me like an artful
seductress. I'm helpless against her stiletto-heeled
embrace. I have no defense, no idea where she leads me. I
know only that when the music ends and I wake, a trace of
her sweet kiss is on my lips and on my mind a fading
memory of some distant place on the shores of infinity.
Midnight! Attic lights above the quays grow dark. I
remove the rose from my lapel and place it in the gentle
folds of my loved one's hair; she has given me an evening
of exquisite tango pleasure. We dance one last tango, then
wave au revoir to our tango friends. Their silhouettes
merge with the yellow lights on the bridges of the Seine
and behind us we hear the fading beat of the tango and the
soft steps of Valentino ghosts as they waltz along the
quays.
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© LaVidaTango2004
Revised January 26, 2007
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