Edition XX

July 2,2006 


I am so pleased to welcome a new reporter to our staff,  Robert Osbourne. We will be getting updates on what is happening around Paris in the tango community from him. Email Robert and welcome him to LVT. I'm sure he will be happy to let you know where to find a tango when you are in his area.
My dear Tanguero Friends,
I have not been able to write much about anything lately, as I have not been able to attend the various tango related events. I just came back from a trip to New York. I went with my sister Yolanda and several friends from California. Unfortunately, this was not a tango related trip. We got together because we had not seen each other for quite some time. But, I was fortunate enough to meet a handsome, young man who is a teacher of Tango Argentino. His name is Jak Karako, he teaches tango classes and then they enjoy a milonga at a very nice restaurant in New York City located at 735 10th Ave., at the corner of 50th. His website is www.bailandotango.com. He has a trip planned to Istanbul, Turkey from July 28 through Aug.6th. The cost for this trip is $1300.00 and it includes 12 tango classes and 8 milongas and also includes hotel and meals. What do you think tanguero friends, do we join Jak on this trip? The airline tickets is separate, of course. If we are not able to make it this July, although I am thinking seriously about it, perhaps we could make it next year when he has another trip planned, but this one will be a combination of Greece and Istanbul. I will keep you posted as I intend to stay in touch with Jak. Because of business, I will be away from San Antonio during the next 3 weeks, I ask you to please attend Circa on Mondays during my absence, let's keep that place alive, your support is needed. Don't forget that Color Tango will be in Dallas on Aug 4th and 5th. For more info on this matter, check http://www.tangodallas.org/

Miss you all and see you soon!               Norma



Dear Maleva,
I have a question that perhaps many of us face as we try to progress in the long, winding road of tango journey. I have been taking tango lessons from numerous instructors -- some good, some not so good -- and finally reached the point where I can handle the basic technique and steps at a typical milonga. At least my partners do not have that strange or 'Thank God it's over' look at the end of a tanda. I dance primarily close embrace. My question is where do I go from here without paying exorbitant (at least I think so compared to what I can get in Buenos Aires) private lesson fees, going to tango festivals -- expensive and time consuming, and traveling workshops which are far and few in between ? Of course, milongas are good places to hone in on one's tango skill. However, I can't stop in the middle of a dance and analyze what I did wrong or right. After all, I am there to enjoy, not to analyze my posture, axis or steps. My primary concern at milonga is to connect to my partner.Most group classes are designed for increasing the complexity of steps rather than refining what I already know. When I ask to refine my tango skills, the usual response I receive is 'take private lessons. Practicas are hit and miss situation as I have to dance with someone who is at the same level or better so that she can point out what makes her comfortable or not. Also, I do not wish to a regular partner as both of us get used to our own idiosyncrasies. I guess what I am asking is how can I get to the next level of tango proficiency without refinancing my home or emptying my 401K?
Thank you,
Not ready for the Poor House Tango Student

Dear Poor House, I know it's tough, but any hobby that really grabs you always winds up also costing you lots of dough. Yes, you can and should practice on your own, but frankly if you want to get really good you are also going to have to pay. The value of gaining a skill in your life far outweighs the cost, in my opinion. Going to festivals, taking classes with visiting instructors, making the pilgrimage to BsAs are things that all the top dancers have had to do. Even if you live in BsAs and have easy access to good milongas and teachers, it still can be expensive. (And let's not even think about how much you'll wind up shelling out for shoes and clothes, especially if your a woman! Even just entrance fees to milongas every week will add up to a huge sum over time.) A good tango teacher will stress technique in their classes. They will arrive at the step they are teaching through explanation of the technique. If that's not the case with the teachers you are learning from, then it's time to hit the road and go to the festivals. Mostly, I think you should rethink your stance on festivals. There are so many festivals now that are targeted toward social dancing rather than step-collecting, with top teachers and hours upon hours of milongas as well as practicas. Attending a festival and dancing non-stop for 3-4 days with lots of other good dancers is one of the fastest ways to grow as a dancer. Often, becoming good just boils down to the number of miles you've put in on the dance floor. The prices are actually quite reasonable and with so many of festivals now you can probably find one within driving distance. Finally, finding a partner to practice and take private lessons with is a great idea. It keeps the cost of your classes down because you can split them. This doesn't mean that you have to just dance with your partner at the milongas or practice every day -- it just means that you'll get together and practice different things when you have free time. The word 'partner' doesn't mean a huge commitment, a partner is just a friend who you like dancing with and wants to get better too. It doesn't have to be exclusive; you can practice with lots of people. Usually people help each other iron out their mistakes rather than get used to each other's idiosyncrasies. Good luck on your journey and don't bother adding up the cost, it will just make you cry!


   With fire and tango !


The show melts away when Mirian Larici and Hugo Patyn leave the audience puffy, in Principio de Amor. Or it is the moment when you join the last strength for the prolonged applause.
Tango & Fire, Historias de amor, which will be on stage Tuesdays and Wednesdays, at the Teatro de la Comedia, is a conjunction of noble elements, solidified in the scenario. The structure of the show proposes a journey, in which love, passion, deceit, life and death intertwine their main characters' destiny; they experience these transformations from the deep existential questions housed in our music and Buenos Aires dance.
Perhaps, the sense of Larica and Patyn's creation is left aside immediately when an instantaneous bond between the audience and the artists is born, when the instrumental theme Potpurrí, maestro Mario Araolaza prints with temperament through the piano the passion (fire) that will take place at every scene, highlighted in Introducción al fuego; Tres Milongas; Más allá de la muerte and, already in the second part, Locura de amor.
Each composition by maestro Lisandro Adrover, interpreted viscerally by the Adrover Tango Quinteto (to such an extent that moves to see how the conductor's glasses fly when he shakes his head with musical frenzy), is the introduction for the display of talent of three dancing couples composed by Miriam Larici and Hugo Patyn; Paola Jean Jean and Nicolás Cobos, and Natalia Patyn and Jorge Tagliaferro.
Neither milongas dance, neither extravagant dance. Dance with the Larici and Patyn stamp, a trade mark sustained by an impeccable career in time and at international presentations.
And that mark is also transferred to every detail; as the costume, for instance, made to highlight each moment, to sustain each one of the parts of the show, without appealing to parameters merely of manners and exhausting. This is demonstrated in the milonga Del 2000, when Jean Jean and Cobos seem to be impressive puppets; or in Heavy, where the whole company is overwhelming, and the music is convincing, determinant, tough, opposed to the sensitive and intimate (from the name) Preludio a mi Viejo (Prelude to my old man), where the quintet brightens, maestro Adrover shows that tango has overstepped with emotion the creative parameters known up to the present.

Visit Let'sTanGO! for more information about porteños’ culture, including tours, sites of interest, restaurants, museums, milongas and tango shows in Buenos Aires. Enjoy it ! click here!


 

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reporting from Buenos Aires . . .
"IV CAMPEONATO METROPOLITANO DE TANGO"
The beginning of "The World's Tango Championship 2006  

Buenos Aires is showing signs of "Championship" again, the rain and the very cold nights of this brand new winter are not enough to stop or postpone what we are very proud and very good for ..TANGO!. When you are used to seeing the same local dancers all the time at our milongas you are able to recognize their particular style of dancing, noticing at once when some new faces or foreign styles start coming in... and that my dear milongueros is beginning to happen now in Buenos Aires: The "IV Metropolitan Championship of Tango and Milonga" has started and even though these are "classifying rounds" or local competitions, they also are the first stage that will lead to us and tangueros from all over the world all the way up to the "World’s Tango Championship 2006" to take place in August of this year here in the Tango's Capital.
 In order to have a first hand insight and a closer opinion, I decided to assign myself to one of those classifying milongas. This was not too hard for me and it was not really a sacrifice to make it happen, so without even planning, I found myself on the way to one of the best and one of my favorites milongas in Buenos Aires. 
Just the fact of being in front of that small piece of art and beautiful building, one of the oldest and most well preserved of this city, makes you unable to believe or understand this actual world of ugly skyscrapers made only out of glass and iron, in which construction, the greatest and most sophisticated piece of art you are able to find is just that ... a
plain piece of glass and a cold piece of iron!

. The front of this building with its elaborated and artistic balconies and mansards has been constructed out of pure imported marble and its beautiful red carpet entrance and stairs flanked by 2 wonderful belle époque statues, also in marble, take you to the first floor. The dancing space is a very spacious wooden floor and its artistic ceilings made with the splendor, art and luxury of earlier times that invite you to look up over and over like a fool !  
       

Milonga competition at "El Club Espanol"

This is la milonga of  "El Club Espanol" o la milonga "Chique" like its father organizer, my respected and recognized tanguero friend Julio called to tell me one of the main classifying rounds of the "Metropolitan Tango Championship" of the City of Buenos Aires will take place there tonight. The music of the event, according to the rules, will be chosen by the organizers to encourage improvisation and the 15 participating couples will be competing to represent this milonga, the milonga "Chique" of Club Espanol at the semifinals in "La Viruta" another famous milonga. Should they win, this will qualify them for the finals in "La Rural" of Palermo in August when the "World's Tango Championship" start officially. "Julio, I asked the organizer, what does this represent for you, after so many years of work "at the milongas of "Buenos Aires. Being chosen by the City to be one of "the 40 places where the classifying rounds of the "Metropolitano de Tango" will be "taking place?.  "Well, Orlando, he said,  of course, for me and for my staff here in Club Espanol, it is a privilege and a real opportunity to be able to select a couple that will represent us at the "semifinals. I'm sure that who ever is selected will hold our "colors" with their best dancing".
To explain this a little bit better to all of you dear readers let me tell you, with the sounds of Anibal Troilo playing "Danzarin" as my very emblematic background and while the 15 dance couples start this important competition, the "World's Tango Championship" is divided in three instances: 1) Classification rounds,  2) Semifinals and 3) Finals. The first instance or classification rounds are held for a full month from May 4 to June 4 in forty different milongas of the City of Buenos Aires (I know, in Buenos Aires there are "a couple" of more milongas than in Dallas, Houston, Austin or San Antonio to choose from when you want to dance): El Arranque, Gricel, Lo de Celia, A puro Tango, El Abrazo (Confiteria La Ideal), La Baldosa, El Cachafaz, La Argentina, El Pial, Chique (Club Espanol), El Zaguan, El Esquinazo, etc, etc. This Classifying rounds are also held in some provinces like Mendoza or Santa Fe. The prizes awarded by the City are really attractive, pay attention: In category "Tango Salon" the winning couple will be awarded $ 3.000 (Argentinean pesos) plus garments and they will be representing the City of Buenos Aires at the "!V Tango Dance World Championship" finals to be held between August 18 to 27, 2006. The second and third places will also be awarded garments. In the "Milonga" new category (this is the first year of this category) the winners will receive $ 2.000 (Argentinean pesos) and garments. Not bad, not bad at all if you think that this is an International event and will also involve contracts, representation, festivals, advertising, etc. 
At this very moment Osvaldo Pugliese is playing "Gallo Ciego", classifying rounds are over, the Jury composed by Jorge Firpo, El Pirata, Gachi Ferrari and Jorge Borques just finished their hard work of selection and the milonga "Chique" has a brand new couple of real tangueros to represent them at the next stage of this competition. At my side, smiling like 2 tangueros in their first milonga with their first pair of tango shoes, here are .... the winners! 
Faustin Artaza and Angelica Largheri !

"Faustin, I asked,  How "did you feel about of being the winner, out of 15 very good "couples in this competition to represent "Club Espanol" at the semyfinals?   "Well Orlando, you know as a good tanguero the feeling of being selected in a competition like this, Myself and my partner are very happy and proud to be able to represent this loved milonga at this years Championship. We will do our best to deserve this selection". Faustin, a regular dancer every Thursday at Club Espanol and Angelica will compete among 34 more couples who will be representing the other main milongas of the city.
Faustin Artaza y Angelica Largheri the winners of classifying rounds at "Chique" of "Club Espanol"  

 This year all portenos milongueros have the chance to compete not only in tango but also in the new category of milonga. To register they can go to the milonga of their choice one hour before the planned schedule, it does not matter if they are amateurs or professionals, both may register and compete. The only requirements are contestants must be 18 years old or over and that one of the pair must live or had been born in the city of Buenos Aires. Semifinals will take place in nuevo salon "La Argentina", 1750 Bartolome Miotre, in June 11, 14, 18 and 21 at 8pm. The finals will take place onAugust 17 at Predio Ferial of Buenos Aires "La Rural", 4201 Santa Fe Av., Buenos Aires, Argentina.   The last sounds of "Gallo Ciego" make my senses  remember the deep beauty of this music and how good is to be able to be here surrounded by the scent and the flavor of tangueras, tangueros and... TANGOS!.

 

So, if you happen to be in Buenos Aires like me, it does not matter if you are professional or amateur in tango and you are 18 or older, find an Argentinean partner, register at your favorite milonga to get the unforgettable experience of a real Tango competition at the Tango's World Capital !  
You may also get some cash money for your trip!                                   

Promotional display of the classifying rounds at "Confiteria La Ideal"



Hola Tanguero’s

Sorry to have missed all of you last month but I was pretty busy, I went to California for my only son’s graduation from college (thank God for that!).

Anyway, here in San Antonio we were fortunate to have Brooke Burdett here for a workshop. Brooke started her tour in Austin giving private lessons which I heard sold out quickly, then she came down to San Antonio. Her style of teaching is a bit different from other instructors I have taken classes from. Brooke has a no nonsense style of teaching, she is clear and concise. Brooke stresses the fundamentals and also shows steps that are practical on the tango floor. I look forward to her visit next year.


Sharing
a  dance at Circa 1900 Monday night, Brooke Burdett y Frank Huddleston 


Lydia Yznaga y 
Christopher Gamez

The Silent Partners art group which was founded by Christopher Gamez, Lydia Yznaga, and Alecia Eagerton for the purpose of promoting the arts in San Antonio recently hosted a milonga at the Medusa Art Lounge in beautiful downtown San Antonio. The evening started with free dance instruction in basic tango moves. Then an open dance was held with music DJ’ed by Frank Huddleston. It was an enchanting evening for all that participated in the event. I can’t wait for the next event the Silent Partnes art group puts together.
In closing we anxiously await the return of Carlos Yannacanedo that talented free spirited tango dancer from New York City who is scheduled to give a workshop here in San Antonio at the end of July.

Keep dancing... 


Alecia Eagerton y Sheri Noland enjoy conversation during milonga at Medusa's Wednesday evening.


Tango On The Banks of The Seine

Le Tango Argentine! Its sensuality and its rhythm are irresistible. In Paris, we gather to dance to the tango's scorching beat, on the banks of the Seine under the stars, in a setting resembling a Greek temple. The dance floor ends at the river's edge. There is no guardrail. But who cares! The Tango is a dance of love, conquest, jealousy, agony and ecstasy. Why should we who dance it fear a six-foot drop into the Seine?

As we dance, the final rays of the sun turn the river blood red. A yellow tango moon rises above the gargoyles perched high on the bell towers of Notre Dame. Across the river, bedroom lamps on the Rive Droite blink on. A Bateau Mouche, brightly lit, sounds its throaty note as it prowls the river.

Under the bridges of the Seine, the yellow lights of the tourist boat probe the dark passages of romantic hideaways, intruding upon the amorous adventures of lovers who feel the Tango's forbidden rhythm as it drifts along the riverbank. Like a beacon, it guides the boat of curious tourists up-river and under the bridges of l'Isle Saint Louis, leading them to where we dance on the banks of The Seine. Laughing gaily, passengers line the deck and applaud the dancers on the quay below.

On the quay, the women's black shoes, armed with stiletto heels, stealthily climb the legs of men, whose black hats ride low, over eyes lost in shadow. The dancers surrender to the forbidden beat and glide across the floor in close embrace. The women's eyes are closed, and their blood red lips are curved sweetly upwards in La Gioconda smiles, as the men, with slow hands on silken thighs, gaze with half-closed eyes into infinity. The world disappears and conscious thought fades as in a dream.

A soft breeze carrying a hidden kiss drifts by my neck. The hypnotic cords of a Tango Vals beat across the floor and against my blood, calling to me like an artful seductress. I'm helpless against her stiletto-heeled embrace. I have no defense, no idea where she leads me. I know only that when the music ends and I wake, a trace of her sweet kiss is on my lips and on my mind a fading memory of some distant place on the shores of infinity.

Midnight! Attic lights above the quays grow dark. I remove the rose from my lapel and place it in the gentle folds of my loved one's hair; she has given me an evening of exquisite tango pleasure. We dance one last tango, then wave au revoir to our tango friends. Their silhouettes merge with the yellow lights on the bridges of the Seine and behind us we hear the fading beat of the tango and the soft steps of Valentino ghosts as they waltz along the quays.



© LaVidaTango2004     Revised January 26, 2007